Woodstock Woodstock: Three Days That Rocked The World 2009 Usa Book 978-1-4027-6623-7
Woodstock Woodstock: Three Days That Rocked The World 2009 Usa Book 978-1-4027-6623-7
£13.19
Woodstock Woodstock: Three Days That Rocked The World 2009 Usa Book 978-1-4027-6623-7
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Woodstock: Three Days That Rocked The World VARIOUS ARTISTS Woodstock: Three Days That Rocked the World (2009 US first edition 288-page hardback coffee table book by Mike Evans & Paul Kingsbury with a foreword by Martin Scorsese. August 2009 marks the 40th anniversary of this historical festival this book features a day-by-day & act-by-act account of everything that went down on Yasgur’s Farm. Includes interviews and quotes from those who were there including the musicians the fans the organizers loaded with a wealth of pho tographs and graphic memorabilia plus set lists for each act. The book is set out in three parts - Origins The Event and The Aftermath. Comes complete with thge original printed clear dust cover)ÞÞ
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Rare vinyl records, 7, 12 singles, CDs, music memorabilia. 991.com, the World Number 1, for rare vinyl records on 7, 12 singles, LP, CDs and CD singles and music memorabilia. With over 250,000 items from 15,000 artists we have something for all record collectors and music lovers, from the latest to most expensive.
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Thomas Of Woodstock
Thomas Of Woodstock
£14.99
Thomas Of Woodstock
Blackwell Books Product Information
Examines an anonymous manuscript play that has long been the subject of scholarly dispute regarding its relationship with Shakespeare's Richard II. This title situates the play within its historical and political context, relating it to the...
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Microtel Inn Woodstock
Microtel Inn Woodstock
£58.65
Microtel Inn Woodstock
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Location. Located in Woodstock, Microtel Inn Woodstock is a business friendly hotel in the historical district and local attractions include Kennesaw State University.
Hotel Features. Recreational amenities include an outdoor pool and a fitness facility. This hotel has a business center and offers limo/town car service. Complimentary wireless and wired high speed Internet access is available in public areas. The hotel serves a complimentary breakfast. Guest parking is complimentary. Additional property amenities include multilingual staff, tour/ticket assistance, and laundry facilities.
Guestrooms. Air conditioned guestrooms at Microtel Inn Woodstock feature coffee/tea makers and complimentary weekday newspapers. Beds come with premium bedding. Bathrooms feature shower/tub combinations with handheld showerheads, and complimentary toiletries. Wired high speed and wireless Internet access is complimentary. In addition to desks, guestrooms offer phones with voice mail, as well as free local calls (restrictions may apply). 32 inch flat panel televisions have premium satellite channels. Also included are blackout drapes/curtains and electronic check out. Guests may request refrigerators, microwaves, and in room massages. Housekeeping is available daily.
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Thomas Of Woodstock
Thomas Of Woodstock
£13.19
Thomas Of Woodstock
Pickabook Product Information
Examines an anonymous manuscript play that has long been the subject of scholarly dispute regarding its relationship with Shakespeare's "Richard II". This title situates the play within its historical and political context, relating it to the genre of chr Peter Corbin (Editor), Douglas Sedge (Editor)
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Johnny Winter: Rockpalast: Legends Volume 3
Johnny Winter: Rockpalast: Legends Volume 3
£14.95
Johnny Winter: Rockpalast: Legends Volume 3
The Hut Product Information
The definitive breakthrough for the Rockpalast came on the fourth night from 21st to 22nd April: The Grugahalle in Essen – the traditional staging location at this point and it remained so for the next ten years –was completely sold out for the first time (an audience of 10 000) – which also remained the case: the subsequent Rockpalast Nights were sold out even before the programme was announced. The expectation that it would be good regardless of the performers was confirmed by the line-up in this fourth night. At prime time (News Weather Word for Sunday Rockpalast) it was shown live again on the first TV channel and Europe-wide – from Italy to the North Cape – via Eurovision; the programme only ended when the last note was played. No time limit was set; one could only guess when it would end. An American Night. It began with the J. Geils Band rhythm and blues; they wanted a marching band as introduction and got it. They were followed by the Pattie Smith Group who transported us to higher levels and the concert culminated in blues music which has influenced American music as no other has. In this night Johnny Winter who had played at Woodstock irrevocably established his name in Europe. He gave one of the most important concerts in the total 17 Rockpalast Nights (till 1986). He continued the blues trend of the Rockpalast including the Johnnie Wells classic Messin’ with the Kid which Rory Gallagher had opened the first Rockpalast Night with. Johnny Winter arrived in Düsseldorf and immediately wanted to watch our Muddy Waters concert (1978) tape on the video recorder in my room. He was very short-sighted due to his albinism and sat about ten centimetres from the screen and watched the show from beginning to end in this position. He was fascinated by Muddy Waters and obviously very pleased with our recording. Johnny said If you managed so well with a seven-man band then I don’t think we need to rehearse. We are only three men! But this was not what the producer Christian Wagner had in mind of course. We had allowed a whole day’s rehearsals each for Johnny and the other groups. We had agreed that Johnny would play for 80 minutes. But when he went on stage long after midnight his tour manager asked me Can he play for two hours too? O.K. let him I answered. We and the WDR were very flexible when it came to live programmes on the first channel (ARD) at that time. We experienced all the power and flair of Johnny’s guitar playing in long solos. He concentrated solely on the blues. But later when the audience needed more movement and wanted some rock’n’roll he gave them what they wanted e.g. Johnny B. Goode and Jumping Jack Flash.Patti Smith who considered it an honour to be on a stage with Johnny Winter stood in front of the stage with her clarinet in her hand. She wanted to jam. But Johnny was so absorbed in his own music and emotions that he did not notice. This DVD is a recording of a truly historical Rockpalast concert.
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Johnny Winter: Rockpalast: Legends Volume 3
Johnny Winter: Rockpalast: Legends Volume 3
£14.95
Johnny Winter: Rockpalast: Legends Volume 3
Zavvi Product Information
The definitive breakthrough for the Rockpalast came on the fourth night from 21st to 22nd April: The Grugahalle in Essen – the traditional staging location at this point and it remained so for the next ten years –was completely sold out for the first time (an audience of 10 000) – which also remained the case: the subsequent Rockpalast Nights were sold out even before the programme was announced. The expectation that it would be good regardless of the performers was confirmed by the line-up in this fourth night. At prime time (News Weather Word for Sunday Rockpalast) it was shown live again on the first TV channel and Europe-wide – from Italy to the North Cape – via Eurovision; the programme only ended when the last note was played. No time limit was set; one could only guess when it would end. An American Night. It began with the J. Geils Band rhythm and blues; they wanted a marching band as introduction and got it. They were followed by the Pattie Smith Group who transported us to higher levels and the concert culminated in blues music which has influenced American music as no other has. In this night Johnny Winter who had played at Woodstock irrevocably established his name in Europe. He gave one of the most important concerts in the total 17 Rockpalast Nights (till 1986). He continued the blues trend of the Rockpalast including the Johnnie Wells classic Messin’ with the Kid which Rory Gallagher had opened the first Rockpalast Night with. Johnny Winter arrived in Düsseldorf and immediately wanted to watch our Muddy Waters concert (1978) tape on the video recorder in my room. He was very short-sighted due to his albinism and sat about ten centimetres from the screen and watched the show from beginning to end in this position. He was fascinated by Muddy Waters and obviously very pleased with our recording. Johnny said If you managed so well with a seven-man band then I don’t think we need to rehearse. We are only three men! But this was not what the producer Christian Wagner had in mind of course. We had allowed a whole day’s rehearsals each for Johnny and the other groups. We had agreed that Johnny would play for 80 minutes. But when he went on stage long after midnight his tour manager asked me Can he play for two hours too? O.K. let him I answered. We and the WDR were very flexible when it came to live programmes on the first channel (ARD) at that time. We experienced all the power and flair of Johnny’s guitar playing in long solos. He concentrated solely on the blues. But later when the audience needed more movement and wanted some rock’n’roll he gave them what they wanted e.g. Johnny B. Goode and Jumping Jack Flash.Patti Smith who considered it an honour to be on a stage with Johnny Winter stood in front of the stage with her clarinet in her hand. She wanted to jam. But Johnny was so absorbed in his own music and emotions that he did not notice. This DVD is a recording of a truly historical Rockpalast concert.
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Johnny Winter: Rockpalast: Legends Volume 3
Johnny Winter: Rockpalast: Legends Volume 3
£12.99
Johnny Winter: Rockpalast: Legends Volume 3
Send It Product Information
The definitive breakthrough for the Rockpalast came on the fourth night from 21st to 22nd April: The Grugahalle in Essen – the traditional staging location at this point and it remained so for the next ten years –was completely sold out for the first time (an audience of 10 000) – which also remained the case: the subsequent Rockpalast Nights were sold out even before the programme was announced. The expectation that it would be good regardless of the performers was confirmed by the line-up in this fourth night. At prime time (News Weather Word for Sunday Rockpalast) it was shown live again on the first TV channel and Europe-wide – from Italy to the North Cape – via Eurovision; the programme only ended when the last note was played. No time limit was set; one could only guess when it would end. An American Night. It began with the J. Geils Band rhythm and blues; they wanted a marching band as introduction and got it. They were followed by the Pattie Smith Group who transported us to higher levels and the concert culminated in blues music which has influenced American music as no other has. In this night Johnny Winter who had played at Woodstock irrevocably established his name in Europe. He gave one of the most important concerts in the total 17 Rockpalast Nights (till 1986). He continued the blues trend of the Rockpalast including the Johnnie Wells classic Messin’ with the Kid which Rory Gallagher had opened the first Rockpalast Night with. Johnny Winter arrived in Düsseldorf and immediately wanted to watch our Muddy Waters concert (1978) tape on the video recorder in my room. He was very short-sighted due to his albinism and sat about ten centimetres from the screen and watched the show from beginning to end in this position. He was fascinated by Muddy Waters and obviously very pleased with our recording. Johnny said If you managed so well with a seven-man band then I don’t think we need to rehearse. We are only three men! But this was not what the producer Christian Wagner had in mind of course. We had allowed a whole day’s rehearsals each for Johnny and the other groups. We had agreed that Johnny would play for 80 minutes. But when he went on stage long after midnight his tour manager asked me Can he play for two hours too? O.K. let him I answered. We and the WDR were very flexible when it came to live programmes on the first channel (ARD) at that time. We experienced all the power and flair of Johnny’s guitar playing in long solos. He concentrated solely on the blues. But later when the audience needed more movement and wanted some rock’n’roll he gave them what they wanted e.g. Johnny B. Goode and Jumping Jack Flash.Patti Smith who considered it an honour to be on a stage with Johnny Winter stood in front of the stage with her clarinet in her hand. She wanted to jam. But Johnny was so absorbed in his own music and emotions that he did not notice. This DVD is a recording of a truly historical Rockpalast concert.
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Royal Residences
Royal Residences
£4.99
Royal Residences
Oxfam Online Shop Product Information
Macdonald & co, London, 1982, first edition. Hardback with pictorial dust jacket, it has blue cloth covers with gilt lettering on the spine and is in very good condition. It contains an introduction, an index. Profusely illustrated in colour and b&w with photographs, floor plans, elevations, reproductions. "(A)n architectural history of the palaces and houses in which British monarchs have lived from Anglo-Saxon times to the beginning of this century.describes the royal residences of these islands as a whole in chronological sequence. In additional to extant palaces the author describes many others which were built a n d no longer exist such as medieval Clarendon and Woodstock, Henry VIII's Whitehall and Nonsuch, Charles II's Winchester, George III's Kew and George IV's Carlton House. Just as fascinating are the unexecuted designs - Inigo Jones's and Wren's grandiose projects for Whitehall, Vanbrugh's Kensington and Chambers's Richmond. In describing these John Martin Robinson adds enormously to the scope and interest of this book. Vanished buildings have a special romance of their own and in the case of royal residences many were of greater architectural value than those which still remain. Concentrating on the architecture of all Britain's palaces, the author also relates their development to changes in the requirements of the monarch, court and royal household. He shows how the buildings of each ruler not only reflected their needs but also the character and image of their reigns. The text is complemented by a fascinating selection of photographs and plans, some never published before and others commissioned especially for this book. The pictures are of particular historical interest in themselves, since included are many early photographs of buildings such as Wren's Winchester Palace, the Horseshoe Cloisters at Windsor before t heir restoration by Sir Gilbert Scott and Osborne House before the addition of the Durbar Wing. (This) is a book which appeals to the general reader and the architectural historian. It is gracefully written with a text of enormous value to anyone interested in the British monarchs and the buildings in which they lived."
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